Louise Lamprey Books for 1920s Children

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Louise Lamprey wrote historical fiction for young readers. She was known for including careful historical backgrounds/details in her stories. I browsed 4 of her books from the 1920s available on Internet Archive recently.

Days of the colonists, (1922)

Masters of the Guild, (1920)

Children of Ancient Gaul, (1927)

Long-ago people: how they lived in Britain before history began, (1921)

 These books reflect the 1920s perception of historical time periods. It is thought provoking to think about how that perception has changed over the past 100 years…broadening to include more perspectives from non-elites (people that were behind the scenes like women, minorities…whole cultures that interacted within a hierarchy). These are not books that would be suitable for children now. It is startling to realize that in the 1920s, many children did not survive childhood because of whooping cough and other childhood diseases that are avoided via vaccination now. There were no computers or video games. The audience for Lamprey’s books were children with very different experiences than children today! And perhaps only children from wealthy families has access to books like these.

Maria Martinez (potter) in 1925

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The first picture in Carl E. Guthe’s  Pueblo Pottery Making - a study at the village of San Ildefonso published in 1925 is one of Maria Montoya Martinez that is widely used elsewhere (including in the Wikipedia entry for her). 1925 was before she started making her black ware pottery that survives in many museums. I recognized her name when I first started browsing the book; it was one of those times I appreciated Wikipedia and Google search to learn more about her before I continued browsing. I celebrated finding Guthe’s books on Internet Archive and the myriad pictures that documented the situation in 1925…the state of the art then, before she was producing black ware pottery.

1925 was during the time when much of the culture of the Pueblos was fading….the challenges of people trying to survive in the world. Fortunately, Maria learned pottery skills from her aunt… a “learning by seeing” beginning in her pre-teens. She, with the collaboration of her family members, continued to experiment and produce pottery throughout her long life (she lived until 1980) and taught others the same way she had learned. She helped establish pottery of the Southwest as an art form we recognize today.

Surprisingly, Guthe’s biography (archived from the University of Michigan Museum of Anthropological Archaeology) does not mention this book at all. His work establishing collections and institutions overshadows this book!

Burma in 1925

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Paul Edmonds visited Burma and wrote a book published in 1925 Peacocks and Pagodas that is available from Internet Archive. I enjoyed the illustrations.

The author is not as judgmental as many European writers of travel books in the 1920s; he acknowledges the cultural difference: “The Burman know that happiness is better than wealth” --- whereas “The Englishman believes that wealth is better than happiness, or at least synonymous with it.” He frees himself to simply observe by getting that difference acknowledged from the beginning…also recognizing that the colonial system will try to force Burmese culture to move toward the European/English, perhaps destroying the focus on happiness over wealth entirely.

And here we are 100 years later….so many people still conflicted about the relationship between wealth and happiness.

Coles Phillips eBooks

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Coles Phillips was an illustrator known for his stylish images of women for books, advertisements, and the covers of popular magazines. I browsed two of his books on Internet Archive recently:

A Gallery of Girls (1911)

A Young Man's Fancy (1912)

More of his magazine covers can also be found on Internet Archive (list here).

He died relatively young in June 1927; Life magazine featured one of his creations on the cover in July 1927 (and a 2-page illustrated obituary). His last Life magazine cover was in September 1927. The illustrations are available from Internet Archive via the link above.

He was one of the artists that depicted the greater freedoms of women in the 1920s. I wondered, as I realized how young he had been when he died, how his art would have evolved had he lived through the great depression and World War II.

Studio International

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I browsed 51 volumes of the Studio International magazines published from 1896 to 1922 over the past month or so. It was a time when the world was changing rapidly – modernizing through industrialization and the World War I years with the 1918 flu overlaying on that challenge. The volumes between 1917 and 1922 are missing. The 1920s were a frenzy of new fashions and cultural shifts. The magazines are a contemporaneous perspective of the time.  

I selected an image from each volume I browsed which are in the grid below – time sequenced; I selected color images but there are more that are pencil sketches or black/white photographs…and more architecture. The volumes are well worth browsing; links to the volumes are below the grid of images. To enlarge any image below, clink on the image in the grid.

Arts and Decoration from 1920s and 1930s

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Over the past couple of months – I browsed through 29 volumes of the Arts and Decoration Magazine from the 1920s and 1930s. There are a few color images – dominated by covers and ads. I enjoyed thinking about the history and mood of the times reflected in these periodicals.

In the 1920s – Some company names we still see today show up – Davey Tree Surgeons, Listerine, Armstrong Floors, Heinz, Lincoln, Cadillac; some ads for companies that no longer exist too: Quaker Lace Company, Oil-o-matic Heat, Insulite, Johns-Manville Asbestos Shingles. The depictions of women were changing just as the clothes they were wearing: less constrained. The magazine reflected the quickening pace and almost euphoric mood of the decade. 1923 (vol 18-19), 1923 (vol 19-20), 1924 (vol 20-21), 1924 (vol 21-22), 1925 (vol 22-23), 1925 (vol 23-24), 1926 (vol 24-25), 1926 (vol 25-26), 1927 (vol 26-27), 1927 (vol 27-28), 1928 (vol 28-29), 1928 (vol 29-30), 1929 (vol 30-31), 1929 (vol 31-32)

And then came the crash in the 1930s. The volumes from the 1930s contain less color – except for the covers. Most advertisers were weathering the Great Depression but not paying for color ads – except for Kenwood Blankets and a steamship company. The magazine was depicting the perspective of the wealthy but even they were not as flamboyant and exuberant as in the earlier decade. This was the decade when my parents were born. They were far from scenes depicted in the magazine…living in the middle of the US in rural areas where they had plenty of food their parents grew on their farms. 1930(vol 32-33), 1930(vol 33-34), 1931(vol 34-35), 1931(vol 35-36), 1932(vol 36-37), 1932(vol 37-38), 1933(vol 38-39), 1933(vol 39-40), 1934(vol 40-41), 1934(vol 41-42), 1935(vol 42-43), 1935(vol 43-44), 1936(vol 44-45), 1936(vol 45-46), 1937(vol 44-47)

Browsing magazines is a perspective of the important things of the day – carefully selected by editors to present to their subscribers. It reflects a narrow perspective – probably: wealthy, white, skewed to the east and west coasts. It would be interesting to know the demographics of the subscribers but maybe even the publishes didn’t know that!