Rock Art and Sculpture at Edge of Cedars State Park

The rock art and sculpture at Edge of Cedars State Park is everywhere one looks. The image with two types of sandal prints (shown at the left) is used on the cover of a book about rock art produced in a book from the 1980s - Spirit Windows: Native America Rock Art of Southeastern Utah. The prints from sandals with patterns on the bottom were the elite or priests; the plain prints were from ordinary people.

The walls and stairwells of the museum have rock art reproductions. Some were similar to the pictographs we had seen at Newspaper Rock (see images 13-15 in the previous post). I always look for spirals. Here are some images from the museum.

Outside the museum there are modern sculptures that take on forms from rock art. My favorite single form was the mountain goat but I spent a lot of time looking at the complex sculpture that made streaks of sunlight through pictograph-like perforations: spirals, tracks, hunters.

And what about a figure coming of a ladder (from a kiva?).

Some look vaguely like people --- but raise questions too. Why does this one only have four fingers on his hands?

And is the one below representing a person at all? If it is not a person - what does it represent? It’s a reminder that culture impacts how we see the world. We take what we recognize from the rock art and make assumptions about the rest.

Clay Pots at Edge of Cedars State Park

This is one of the additional postings I promised in my previous post about Edge of Cedars State Park in Blanding, Utah --- and the focus is the extensive collection clay pots from the Four Corners area that are displayed in this museum. It feels similar to the pot room in the Arizona State Museum in Tucson and I indulged my ‘pots as comfort’ linkage by taking lots of pictures at this state park.

My favorite pot was a bowl - white on the outside and painted inside with black geometric designs. The irregularity of its shape is what made it special. It looked almost unused so maybe the potter from long ago thought the accident of its shape had made it special too.

Many times I am attracted to the colors - the deep oranges or black on white. Others I look more at the geometric designs. This time I also noticed the texture of the pots. The little cup with the waves of texture and burn marks from its firing (image 7 in the slide show below was my next favorite).

Edge of Cedars State Park - Utah

2013 10 a IMG_0667.jpg

The Edge of Cedars State Park is located in Blanding, Utah (south of Moab in the Four Corners region). It’s one of the few AAA ‘gems’ that is not a National Park --- so it was open in early October when I was in Utah. It is a place worth the stop even if the parks are open and I’ve lined up 4 posts about it. I’ve planned posts on pots, rock art, and sculpture from the museum for upcoming days; today are some of my favorite things about the park that don’t fit in those categories.

One of my favorite things from the museum - beautiful and unusual - is a necklace made from insect legs. The necklace was found in a stash of illegally collected artifacts but there was a bracelet found (and the location well documented) that looked very similar. Were they ever a set?

2013 10 b IMG_0743.jpg

Behind the museum are a restored 1,000 year old kiva and hummocks of the unexcavated ruins of the rest of the village inhabited by ancestors of Puebloan peoples from AD 825-1125. We braved the cold breeze the day we were there to walk around the interpretive loop (and down into the kiva) - no regrets!

The materials used by ancient peoples (aside from clay which will be the topic of a later post) were highlighted in the exhibits and some of them surprised me. The yucca fibers look like blonde hair. The broken pot that still holds the mesh of beads and rope someone long ago stuffed into it reminds us how pottery was used for storage of just about everything. And turkey feathers were used to construct blankets! Juniper bark was twisted to make mats. Macaw feathers were used to make a sash; the top part of the sash is squirrel fur (from a species found in northern Arizona/southern Utah) so the sash may have been made in the same area rather than made somewhere else and traded into the area; there are macaw skeletons found in some ruins. There was a set of stone knives with handles; the dry climate of the area preserves many items that would have decayed in other climates.

Enjoy the slide show from the Edge of Cedars State Park.